After close to four years, I have made what could one of the biggest decisions in my life: quitting violin. Yeah, seems so low and unworthy to be called as such but the truth is, this wasn't the first time I decided to quit violin for good.
It all started way back in July 2004, 2nd year high school. Ms. Mangali who used to be my music teacher in 1st year handed out flyers for those interested to join the St. Cecilia Music Studio. It offers lessons in voice, guitar, piano, and violin. I was rather intrigued by their violin lesson offer as unlike the rest, it is a very unconventional instrument at a time when the youth of today take interest in learning how to sing, to play the guitar, and of course to play the piano (a long tradition of piano tutoring have been passed down to us from my mom's side of the family whose relatives were exposed to learning piano).
At that time, my mom had me signed up for piano lessons without my permission which coincided with me joining the St. Cecilia Music Studio. I still remember my first session with my instructor, Sir Jomar. There was traffic on the way to school so I have to walk my way across Maysilo until I got to ride a tricycle in Tonsuya to take me straight to Bayan/San Agustin.
I signed up for a group lesson and initially there were three of us. Ate Kristine Lacqueo of Batch 2006 and of course, the future guitarist of FOREPLAY, Kelvin. The two of them then were of a higher playing level as I was still new to violin, a neophyte. In third year, Kristine had to drop out citing problems with her inevitable thesis project for Ms. Flores' Fundamentals of Research (for which I got an A- when I passed my thesis a year later). Keb, however, simply dropped himself out. So I was the only one left.
Usual training starts with a warm-up by right-hand and arm in bowing position and trying to play out a string starting from the C-string, then D, then G, then E followed by set of "Hanon"-like fingering exercises called SEVCIK (I dread SEVCIK but it's the only to correct my fingering especially the pinky). After that was WOLFAHRT, a training book for violin beginners where I play out a set of notes setted up as a musical piece. Last but not least is the playing of the Suzuki pieces where I played Sinichi Suzuki-modified versions of existing violin pieces.
I always have the thought of leaving violin as early as the year I was starting out. But there were a lot of factors that affected my decision-making. Pressure from my parents is one, another is the fact that my parents invested a relatively pricey violin for me to enroll for this so I stayed on (so I put all my dread to piano which I continued until earlier last year).
It was kinda embarassing for me to have people know that I'm studying violin. It actually comes out in their minds that I'm good at it but it's not as easy as i really seems. Take a look at the poor girl from Music Ministry who plays violin during masses, many students poked fun at her for playing poorly. The truth is, you can't expect somebody like her, a young violinist to play ala Paganini right away. It takes years of practice to really master the art of violin.
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